Porta Potty Requirements for Movie Sets & Film Productions
Film production sanitation guide covering union requirements, crew vs talent facilities, multi-location logistics, and budgeting for portable restrooms on set.
Port Pottimer
9 min read • Updated December 2024
Film and television productions are unique clients for portable sanitation. Long shooting days, remote locations, union requirements, and the need for tiered amenities create specific demands that differ from construction or events. Whether you're a location manager, line producer, or production coordinator, understanding these requirements is essential.
This guide covers everything from union regulations to talent trailer restrooms and the logistics of multi-location shoots.
Industry Requirements
Union Regulations
Film productions often work under union contracts (SAG-AFTRA, IATSE, Teamsters) that specify working conditions including restroom facilities:
- Ratio requirements: Typically 1 toilet per 15-20 crew members
- Proximity: Within reasonable walking distance of working areas
- Cleanliness standards: Regular servicing during long shoot days
- Talent provisions: Separate, upgraded facilities for cast
- Climate considerations: Heated/cooled facilities may be required
OSHA Requirements
As a workplace, film sets must comply with OSHA sanitation standards:
- Minimum 1 toilet for every 20 workers
- Toilets must be in sanitary condition
- Handwashing facilities required
- Adequate toilet paper and soap
Production Reality
On a 100-person film set with a 14-hour shooting day, crew members will use restrooms approximately 400-500 times. Undersized or undersupplied facilities become a morale and productivity issue quickly.
Production-Specific Equipment
Crew Facilities
For the general crew (grips, electricians, PAs, etc.):
- Deluxe units: Standard upgrade from basic porta potties
- Flushable units: Better for long shooting days
- Handwashing stations: Placed adjacent to restroom banks
- Quantity: Plan for 1 unit per 15-20 crew members
Talent Trailers
Principal actors typically have private trailers with built-in restrooms, but supporting cast and background actors need facilities too:
- Star trailers: Self-contained restrooms in personal trailers
- Day player/guest star: Shared luxury trailer or premium units
- Background/extras: Designated clean units, separate from crew
- Holding areas: Additional units for extras holding
Restroom Trailers
Multi-stall mobile restrooms are popular on larger productions:
- Climate controlled: Essential for extreme weather
- Multiple stalls: Faster turnover
- Running water: Real sinks for handwashing
- Professional appearance: Matches the production quality
- Cost: $500-1,500+ per day depending on size
Specialty Options
- Shower trailers: For muddy locations, special effects, or overnight shoots
- Hair & makeup adjacent: Clean facilities near HMUA trailers
- ADA units: Required for accessibility compliance
- High-rise/studio units: Compact options for space-constrained locations
Production Planning
Pre-Production Considerations
- Scout restroom needs: Note existing facilities, distances, access during location scouts
- Calculate crew size: Account for all departments plus background
- Review union contracts: Check specific requirements for your production
- Confirm location permissions: Some locations restrict where units can be placed
- Budget accurately: Include delivery, daily rental, servicing, and pickup
Location Logistics
Film locations present unique challenges:
- Remote locations: Ensure service trucks can reach the site
- Permit restrictions: Some film permits specify sanitation requirements
- Multiple units: Different zones for crew, talent, and background
- Moving shoots: Consider units on wheels or daily relocations
- Night shoots: Interior lighting essential
Multi-Location Productions
For productions that move between locations:
- Leapfrog delivery: Units at tomorrow's location delivered today
- Base camp units: Remain in one location throughout production
- Set units: Move with the shooting unit
- Coordinate timing: Ensure units arrive before call time
Service Scheduling
Long Shoot Days
12-14 hour shooting days (common in film) require:
- Morning pre-call service: Clean units before crew arrival
- Mid-day service: Pump and restock during lunch break
- End-of-day service: Optional for overnight prep
Service Communication
- Designate a single point of contact (usually locations department)
- Provide call sheets with unit placements to service company
- Have emergency contact for issues during shooting
- Brief service drivers on set protocol (quiet on set, parking, access)
Set Placement Strategy
Base Camp
The production hub where trailers, catering, and crew facilities are located:
- Main restroom bank near catering
- Separate units near talent trailers if trailers lack restrooms
- Handwashing stations at multiple points
- Clear signage for different designations (crew, background, etc.)
Set/On Location
At the actual filming location:
- Units within reasonable walk but not visible in shots
- Consider sound - pumping shouldn't happen during takes
- Accessible path that doesn't interfere with equipment
- Lighting for night work
Holding Areas
For background actors waiting to be called:
- Calculate for large numbers (sometimes 100+ extras)
- Located within holding, not a long walk
- Higher ratio: 1 unit per 50-75 people for shorter wait times
Budget Guidelines
| Production Size | Typical Setup | Daily Cost Range |
|---|---|---|
| Small (20-40 crew) | 3-4 deluxe units + handwashing | $200-400/day |
| Medium (50-100 crew) | 6-8 units + restroom trailer | $600-1,200/day |
| Large (100+ crew + BG) | 12-20 units + multiple trailers | $1,500-3,000+/day |
| Major production | Custom package | $3,000-10,000+/day |
Additional costs to budget:
- Extra servicing during 12-14 hour days: +$75-150/service
- Relocation between locations: +$100-200/move
- Rush delivery for schedule changes: +25-50%
- Generator for trailer power: +$200-500/day
Working with Providers
Finding Production-Experienced Providers
- Ask for film/TV production references
- Confirm they understand call times and set protocol
- Verify flexible scheduling for production changes
- Check availability for extended hours and weekends
- Confirm insurance meets production requirements
What to Communicate
- Shooting schedule (call times, wrap times)
- Base camp and set locations
- Crew size and any background/extras days
- Any location access restrictions or timing windows
- Key contact in locations department
- Invoice and accounting requirements
Production Sanitation Checklist
Pre-Production:
- Calculate crew + background numbers for each shoot day
- Review union contracts for requirements
- Include sanitation in location scouts
- Get quotes from providers with production experience
- Confirm permit requirements
- Budget for delivery, daily rental, servicing, pickup
Production:
- Confirm delivery before first call time
- Verify unit placement doesn't interfere with shots or sound
- Schedule mid-day service during meal breaks
- Assign PA to check supply levels periodically
- Have emergency provider contact on hand
- Communicate any schedule changes to provider
Wrap:
- Schedule pickup after final wrap
- Return any borrowed keys or access codes to provider
- Report any damage or issues
- Process final invoice through accounting
Planning a Production?
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